à la voix douce - meaning and definition. What is à la voix douce
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What (who) is à la voix douce - definition

FORTY-MINUTE, ONE-ACT OPERA FOR SOPRANO AND ORCHESTRA COMPOSED BY FRANCIS POULENC IN 1958, BASED ON THE PLAY OF THE SAME NAME BY JEAN COCTEAU
La Voix Humaine; La Voix humaine
  • Example 1: 3 after no. 24
  • Example 2: 3 before no. 63
  • Example 3: No. 1 ("Exasperated waiting" motif)
  • Example 5: No. 5
  • Example 4: No. 41 ("Endurance" motif)
  • Fiona McAndrew in a 2020 [[New Zealand Opera]] production

Douce Atlas         
PORTOLAN MAPS OF COUNTRIES BORDERING THE MEDITERRANEAN
Bodleian-Douce Atlas
The Douce Atlas is an early 15th-century nautical atlas by an anonymous Italian cartographer, currently held (MS Douce 390) by the Bodleian Library in Oxford, created by an anonymous Italian cartographer. No attribution to known cartographers or place of origin.
Voix céleste         
ORGAN STOP (HEAVENLY VOICE)
Voix celeste; Vox celeste; Unda maris
The Voix celeste () is an organ stop consisting of either one or two ranks of pipes slightly out of tune. The term celeste refers to a rank of pipes detuned slightly so as to produce a beating effect when combined with a normally tuned rank.
La Voix des Femmes         
WIKIMEDIA DISAMBIGUATION PAGE
Voix des femmes; The Women's voice; Voix des Femmes; La Voix des femmes; La Voix des Femmes (disambiguation)
La Voix des Femmes () was a Parisian feminist newspaper, and later an organization dedicated to education and the advancement of women's rights. The newspaper was put together by Eugenie Niboyet and published daily beginning in 1848 with the fall of Louis Philippe and the emergence of the much more lenient French Second Republic.

Wikipedia

La voix humaine

La voix humaine (English: The Human Voice) is a forty-minute, one-act opera for soprano and orchestra composed by Francis Poulenc in 1958. The work is based on the play of the same name by Jean Cocteau, who, along with French soprano Denise Duval, worked closely with Poulenc in preparation for the opera's premiere. Poulenc's tragédie lyrique was first performed at the Théâtre National de l'Opéra-Comique in Paris on 6 February 1959, with Duval as the solo singer and Georges Prêtre conducting; the scenery, costumes and direction were by Cocteau.

The libretto consists of a woman's last phone conversation with her lover, who now loves someone else. During the call, the woman reveals that she has attempted suicide because her lover has abandoned her.